César Awards 2020: Who Are the Nominees for Best Original Score?
It might be a slight understatement to say that there are some tensions surrounding …
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Crashing Into a Lost Prince: An Interview With Howard Shore
Your list of all-time favourite film scores should feature some Howard Shore pieces.…
Cats: Feline Baits and Altered States
Andrew Lloyd Webber’s Cats, once the longest-running musical in London, now—and for …
Oneohtrix Point Never Shines Bright Like a Diamond and Scores Uncut Gems
It's the beginning of the week and we're barely recovering from our watching of the …
There Is A Light That Never Goes Out: Mark Korven On ‘The Lighthouse’
About scoring horror films, one would say that all the paths have been beaten, paved…
Languages Of Lies: Alex Weston Talks Scoring ‘The Farewell’
Halfway through Lulu Wang’s latest feature film, The Farewell, there is a crucial mo…
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Score It Magazine’s Top 10 Soundtracks of the 2010s
We, like all film music lovers, are first and foremost cinephiles. Thus, it is both as film music enthusiasts and film lovers that we were very lucky t…
Score It Magazine’s Top 10 Soundtracks of 2019
It would be an understatement to say that we all fell in love with the cutting-edge scores for Chernobyl and Joker, by Icelandic composer Hildur Guðnad…
One composer for Two Popes: Bryce Dessner
In light of the quality and versatility of his work and collaborations, it should be safe to say that Bryce Dessner is undoubtedly one of the most emin…
Score Picks from Alfonso G. Aguilar
We have asked our interviewees to select tracks from various scores that they love, think are interesting, forward-thinking or even underrated. There a…
A Score Klaus to Perfection: A chat with Composer Alfonso G. Aguilar
A few years ago, Sergio Pablos noticed that there were many films recounting the beginnings of many iconic characters from pop culture. He tried to thi…
Score Picks From Dan Levy
We have asked our interviewees to select tracks from various scores that they love, think are interesting, forward-thinking or even underrated. There a…
The ‘I Lost My Body’ Score Was in Good Hands With Dan Levy
With I Lost My Body, Jérémy Clapin signs one of the finest French films of 2019. Awarded at the Cannes International Critics' Week and at the Annecy In…
Score Picks from Federale
The sound of Portland-based band Federale sinks its roots deeply into the rich cinematic sound and imagery of European cinema of the 60s and 70…
In Praise of Tommy
We celebrate the UK re-release of Ken Russell and The Who’s cult classic Tommy nearly forty-five years after it made its way into cinemas. Time to delv…
Score Of The Week: Honey Boy (Alex Somers)
We were just one step away from seeing Shia LaBeouf make his directorial debut with Honey Boy, an autobiographical film based on his own experiences as…
