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Interviews
There Is A Light That Never Goes Out: Mark Korven On ‘The Lighthouse’
22 January 2020
Languages Of Lies: Alex Weston Talks Scoring ‘The Farewell’
15 January 2020
One composer for Two Popes: Bryce Dessner
20 December 2019
A Score Klaus to Perfection: A chat with Composer Alfonso G. Aguilar
13 December 2019
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Films
César Awards 2020: Who Are the Nominees for Best Original Score?
28 February 2020
Cats: Feline Baits and Altered States
10 February 2020
Oneohtrix Point Never Shines Bright Like a Diamond and Scores Uncut Gems
5 February 2020
There Is A Light That Never Goes Out: Mark Korven On ‘The Lighthouse’
22 January 2020
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Series
There Is A Light That Never Goes Out: Mark Korven On ‘The Lighthouse’
22 January 2020
Score It Magazine’s Top 10 Soundtracks of the 2010s
30 December 2019
Score It Magazine’s Top 10 Soundtracks of 2019
23 December 2019
Scoring the Fae-Folk’s Skid Row: Nathan Barr on Carnival Row
29 October 2019
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Documentaries
Nainita Desai: Composer and Storyteller
9 October 2019
How Do You Respond? – Jacob Yoffee and Roahn Hylton on scoring “Free Meek”
14 August 2019
Bleeding Fingers: A Chat with the Music Team Behind “The Simpsons”
21 June 2019
Writing a Symphony with James McWilliam
11 October 2017
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Cannes Film Festival
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Video Games
Becoming Human: A Chat With Composer Nima Fakhrara
31 August 2018
Score Picks from Gareth Coker
8 January 2018
Dinosaurs, Orchestras and Indian Flutes – An Interview with Video Game Composer Gareth Coker
20 December 2017
Emile Awards: Long Way from Stage to Screen with Jonathan Morali
27 November 2017
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Score Picks from...
Score Picks from Alfonso G. Aguilar
18 December 2019
Score Picks From Dan Levy
5 December 2019
Score Picks from Federale
28 November 2019
Score Picks from Heather Christian
14 March 2018
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Ennio Morricone, The Loveable One on The Hateful Eight
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