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No limits – Inside the 2018 European Animation Awards with the Best Soundtrack Nominees
8 December 2018
A Moment in Time – An Interview with Terence Blanchard
28 November 2018
Inside Danny Bensi and Saunder Jurriaans’s complex, emotional score for Boy Erased
7 November 2018
Apocalypse Mac. The Horror… The Horror…: An Interview with Mr. Quayle
4 October 2018
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Films
The Best Film Scores of 2018 (Part III)
11 January 2019
The Best Film Scores of 2018 (Part II)
31 December 2018
No limits – Inside the 2018 European Animation Awards with the Best Soundtrack Nominees
8 December 2018
A Moment in Time – An Interview with Terence Blanchard
28 November 2018
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Series
Find the (Mark) River(s): A Chat with Big Mouth’s Composer
21 September 2018
The Sideman Show: An Interview with Composer James McWilliam
22 August 2018
Anuscore – ‘Arrested Development’ Composer David Schwartz on Season 5
13 June 2018
Scoring The Breadwinner: The Sound of Parvana with Jeff and Mychael Danna
6 June 2018
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Documentaries
Writing a Symphony with James McWilliam
11 October 2017
Crazy Kedi Ladies and Gentlemen, Just for You, an Interview with Kira Fontana
13 September 2017
Alexei Aigui on Scoring the Breakthrough Documentary I am Not Your Negro
24 February 2017
For the Love of Synth: Interview with Ian Hultquist on Silicon Cowboys
27 October 2016
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Video Games
Becoming Human: A Chat With Composer Nima Fakhrara
31 August 2018
Score Picks from Gareth Coker
8 January 2018
Dinosaurs, Orchestras and Indian Flutes – An Interview with Video Game Composer Gareth Coker
20 December 2017
Emile Awards: Long Way from Stage to Screen with Jonathan Morali
27 November 2017
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Score Picks from...
Score Picks from Heather Christian
14 March 2018
Score Picks from Gareth Coker
8 January 2018
Score Picks from Eric Neveux
13 November 2017
Score Picks from Olivier Derivière
27 September 2017
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Emile Awards: Long Way from Stage to Screen with Jonathan Morali
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